Krueger’s images often present as the convergence of dual moments emanating from disparate worlds. At the precise point of collision, they create singular integrated images that are at once surreal and experiential; the history of abandonment is revealed and celebrated in what Krueger interprets as its’ present day narrative of hope. His commentary is simultaneously innocent and dark, humorous and eerie.
Krueger’s work reflects his culturally diverse upbringing with a Japanese mother whose family’s descends from a long line of Kimono makers, and an American father stationed at a Navy base in Yokosuka, Japan. Krueger’s aesthetic and vision was cultivated at an early age when his father gave him a camera at age eight which eventually led to his first professional job as a staff photographer for The Seahawk, a Naval newspaper.
Paying tribute to both cultures, Krueger combines both traditions in the signing of his work with his American surname signature Krueger and his mother’s Hanko signature (Japanese ancestral name stamp) Niiro, a Samurai family name.
Krueger delves in various mediums but prefers film, both color and B&W. He enjoys perfecting his craft in the darkroom. He says, “In growing as a fine art photographer, I have embraced traditional darkroom techniques which I feel that one day may become a lost art in this world of digital technology. Time spent alone in the darkroom allows me to reflect and connect with my art.”
Krueger moved to Seattle in 1994 to study at The Art Institute of Seattle where he received a Degree in Commercial Photography.
Krueger is the recipient of multiple awards for his art. His work has been shown in solo and juried shows throughout Seattle, NYC, Miami, Atlanta, Switzerland, and Finland and has been featured in numerous publications internationally. Thomas continues to exhibit his work all over Seattle.