Emmanuel Monzon is a photographer and visual artist based in Seattle, WA. He graduated from the Academy of Beaux-Arts in Paris, France with honors. His work has been featured throughout the US, Europe and Asia (through exhibitions, selections and various awards). Through his work, he explores and questions the signs of urban sprawl in our visual field. His photographic process is being influenced by his background as a plastic artist.
COLLECTION: ESSEL COLLECTION- Karlheinz Essl, founder of the ESSL Museum.
INFO: sizes -40x40 inches / 30x30 inches - Print: Canson Arches Infinity Watercolor Paper (acid free) .
LENSCULTURE PORTFOLIO-PHOTOVOGUE MAGAZINE PORTFOLIO
Through my urban sprawl series, I want to photograph the in-between state found in the American landscape. So I capture places of transition, borders, passages from one world to another: am I leaving a city or entering a new environment?
What inspires me is the emptiness in the urban landscape or in the great American spaces. I like to play/'mix' two approaches: The codes of the new topographics and the concept of "in between-two states" inspired by the anthropologist Marc Auge under the name of non-places. I like transitional places, like intersections or passages from one world to another, such as from a residential area to an industrial area. I also like the tourist places altered by the human trace. We often find this feeling of emptiness, of visual paradox by travelling throughout the United States. The transition from one site to the next: You have arrived and at the same time you have never left. I believe that the expansion of the urban or industrial landscape in the American natural landscape has redefined this space and has become itself a "non-place." (US OF AMERICA MAGAZINE)